Postpunk 1978-1984
The definitive analysis of how the generation following punk completely deconstructed rock music.
The Historical Context
Following the implosion of the Sex Pistols, British music entered a phase of terrifying, rapid innovation. Simon Reynolds argues convincingly that the true musical revolution occurred not in 1977, but in the five years that followed. From the bleak industrial noise of Public Image Ltd. to the synthesisers of The Human League, this book is an exhaustive, fiercely intellectual breakdown of an era when bands genuinely tried to reinvent the mechanics of sound.
Deconstructing the Masterpiece
Here is exactly what you will find inside the pages of this pivotal work:
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The integration of dub, disco, and funk into the rigid structures of white rock music.
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The rise of independent record labels like Rough Trade and Factory.
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The intellectualisation of pop music by art-school dropouts.
The Myths & Controversies
Reynolds actively dismisses the myth of 'punk year zero', demonstrating how heavily post-punk bands relied on progressive and avant-garde influences they publicly claimed to despise.
The Verdict
Unquestionably the most important book ever written regarding the British independent music scene.
Archivist Notes: Postpunk 1978-1984
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